Filmmaking, for me, is a way of noticing—of catching those fleeting, in-between moments that reveal more than words ever could. My stories live in contradictions: intimacy and distance, stillness and movement, reality and the surreal. My characters don’t just exist within a frame; they push against it, searching for something beyond.
Whether developing a film, a scene, or a single frame, I approach each one with the same questions: How do we bring authenticity to the world we are trying to create? Where do we look for it? How do we translate the invisible into particular sound, picture, movement—and why?
My preferred partners in crime are preoccupied with the same questions, as they serve the story instead of their own ego.
